Dream-Girls Lyrics – Camila Cabello

Q: Who is the music producer of "Dream-Girls" Song?

"Dream-Girls" song music compose & produce by Jasper Harris, El Guincho & Hidde.

English 13 June 28, 2024

The lyrics of "Dream-girls" by Camila Cabello, the song reflects on the journey of a woman who has grown up from her carefree days to embrace adulthood with confidence and style. The lyrics reminisce about past friendships and experiences, celebrating the transformation and empowerment that come with maturity. It's a homage to female strength and self-assurance, set against a backdrop of nostalgia and a vibrant present. ...Read More

Dream-Girls Lyrics

[Intro: Camila Cabello]
We used to kick it up at the park
But now she's all grown up
Rocking them stilettos
Jumping up out that Mercedes truck, oh

[Chorus: Camila Cabello]
It was Keisha, it was Sonia
It was Tanya, it was Monique
It was Niecy, it was Keke
Now you see her at twenty-six, all you can say is
"Oh" (Oh; oh no)
And I think she knows she's the sh!t (Yeah; oh, yeah)
Shawty next to me, is the sh!t

[Verse 1: Camila Cabello]
Mini dress, lowkey, with the cap down
No heels 'cause she came to throw that as* 'round
(Ayy, ayy, ayy, ayy)
Body-ody-ody-ody 'cause she work out
Brought the Fuji to Uchi, f**k a phone out
Tan lines, white wine for the burnout
Worldwide, but she repping for the homеtown
Flew the girls to Bahamas for a night out
It's a short life, so wе're going all out, yeah

[Pre-Chorus: Camila Cabello]
Play some 2000s, they're on shuffle
Makes me think of us in '08
Mm, takes me back to the days

[Chorus: Camila Cabello]
It was Keisha, it was Sonia
It was Tanya, it was Monique
It was Niecy, it was Keke
Now you see her at twenty-six, all you can say is
"Oh" (Oh)
Yeah, I think she knows she's the sh!t (Oh)
Yeah

[Post-Chorus: Camila Cabello]
Shawty next to me is the sh!t, the sh!t
Shawty is the sh!t, the sh!t
Always been the sh!t, the sh!t
Shawty is the—, mm-hm (Uh)

[Verse 2: Camila Cabello]
She got stamina, uh, gas her up, uh (Gas her up)
She posing, posing, posing, camera
Watch 'em curves, drive it
Slow, ride it

[Pre-Chorus: Camila Cabello]
Yeah, play some 2000s, they're on shuffle
Makes me think of us in '08
Mm, takes me back to the days

[Chorus: Camila Cabello]
It was Keisha, it was Sonia
It was Tanya, it was Monique
It was Niecy, it was Keke
Now you see her at twenty-six, all you can say is
"Oh" (Oh; oh no)
Yeah, I think she knows she's the sh!t (Oh)
Yeah

[Post-Chorus: Camila Cabello]
Shawty next to me is the sh!t, the sh!t
Shawty is the sh!t, the sh!t
Always been the sh!t, the sh!t
Shawty is the—, mm-hm

[Outro: Camila Cabello]
For all the girls that are learning to be women now
Know we keep it sexy while we figure it out
You know who it is making the world go 'round
This one's for the girls
If you didn't know, well, you know now
We're learning to be women now
Know we keep it sexy while we figure it out
You know who it is that makes the world go 'round (Oh)
If you didn't know, well, you know now

Submitted by Rollteam

Last Update: June 29, 2024

Dream-Girls Lyrics Meaning

The lyrics of "Dream-girls" by Camila Cabello, the song reflects on the journey of a woman who has grown up from her carefree days to embrace adulthood with confidence and style. The lyrics reminisce about past friendships and experiences, celebrating the transformation and empowerment that come with maturity. It's a homage to female strength and self-assurance, set against a backdrop of nostalgia and a vibrant present.

[Intro & Chorus]
Camila Cabello sets the scene by recalling youthful days spent casually hanging out at the park with friends like Keisha, Sonia, Tanya, Monique, Niecy, and Keke. These names symbolize a collective memory of carefree times. Now, in their twenties, the focus shifts to one particular woman who stands out with her grown-up demeanor, rocking stilettos and driving a Mercedes truck. This transformation from girlhood to womanhood is underscored by admiration and a sense of awe.

[Verse 1]
The lyrics delve into describing this woman's current lifestyle. She's confident in her appearance, opting for a mini dress and a casual cap, rejecting traditional heels to freely move and dance. Her body is toned from regular workouts, and she enjoys the finer things in life, like dining out and traveling. Despite her global experiences, she remains connected to her roots, proudly representing her hometown wherever she goes. The verse encapsulates a life lived to the fullest, unapologetically.

[Pre-Chorus]
The song takes a nostalgic turn, reminiscing about the early 2000s with music that evokes memories of the past. This period reflects a simpler time, likely referring to moments shared with friends and the carefree nature of youth.

[Verse 2]
Here, the focus shifts to her physical presence and confidence. She's described as having stamina and a commanding presence, posing confidently for the camera. The imagery highlights her curves and allure, suggesting a woman who is comfortable in her own skin and commands attention effortlessly.

[Outro]
The song concludes with a message of empowerment for young women. It acknowledges the journey of learning and growing into womanhood while maintaining a sense of sexiness and self-discovery. It's a reminder that women are pivotal in shaping their own destinies and influencing the world around them.

[Popular Phrases Explained]

1. "She's all grown up, rockin' them stilettos" - Signifies maturity and confidence in her appearance.

2. "Now you see her at twenty-six, all you can say is 'Oh'" - Highlights admiration for her transformation and self-assured demeanor.

3. "Body-ody-ody-ody 'cause she work out" - Celebrates her physical fitness and dedication to maintaining her body.

4. "Shawty next to me, is the shit" - Affirms her status as someone exceptional and admirable.

5. "We're learning to be women now" - Reflects on the journey of maturity and self-discovery among young women.

This is the end of "Dream-Girls Song Lyrics" by Camila Cabello. If you discover any mistake in the song text, please send the correct lyrics by using the Contact Us form.